Book
Review: Toward A New Philosophy of Biology
Eugene Thacker.
The Global Genome: Biotechnology, Politics, and Culture.
Cambridge, Massachusetts: MIT Press, 2005.
Reviewed by
Pramod Nayar
(Department of
English, University of Hyderabad, India).
...
perhaps we may see this as a kind of adventure, a heroic test:
to take the artificialization of living beings as far as
possible in order to see, finally, what part of human nature
survives the greatest ordeal. If we discover that not everything
can be cloned, simulated, programmed, genetically and
neurologically managed, then whatever survives could be truly
called ‘human’: some inalienable and indestructible human
quality could finally be identified. Of course, there is always
the risk, in this experimental adventure, that nothing will pass
the test…1
Biotechnology, nanotechnology and genetic engineering form the
most innovative and prized research in the last decades of the
20th century. Troubled by controversy (frequently
treated as being against nature and God), generating enormous
hopes of miracle cures, and often involving huge investments,
biotechnology constitutes one of the greatest paradigm shifts in
medical biology and, as the present book demonstrates, the
philosophy of biology and life.
Eugene Thacker’s
massive chronicle of biotech begins with a simple assumption:
that globalization is an integral component of biological
research and practices. Biotech research, Thacker suggests, is
haunted primarily by a tension between biology and political
economy, and not just between biology (nature) and technology
(artificial). Thacker divides his study into three main
sections: encoding, recoding and decoding. Encoding is the
process of production where biotech “invests” in biology to
ensure profits. Recoding is the process of distribution where
the data from the first stage is circulated to companies and
databases. Decoding is the application of the data for medical
and other purposes, where the researched data re-enters the body
as medicine or implants.
Thacker proposes a model of “biological exchange” where
biological information is mediated by one or more value systems.2
The best example of such an exchange is the Human Genome Project
(HGP) and its databases. With such information about the species
and individual bodies being made available, we have a new
“biopolitics”. Indeed the entire biotech industry appropriates
the human at molecular, genetic and informational levels and
refashions the human in the process. Biology itself is treated
as an instrument, even as labour “becomes” genetic (at the level
of the D.N.A. or the enzyme). With the possibility of marketing
genetic data, biology is now transformed into economic value –
what Thacker terms “biomaterial labour” through the book.
Bioinformatics has, in this process of “data basing” human
biology redefined life itself. Drawing upon Canguilhem,
Foucault, Marx and others, Thacker proposes that the linking of
information to the biological body introduces a new challenge to
the concept of life itself: the body becomes an “informatic
body”. As genomics produces more and more information
about the body and biology, it is the issue of the political
economy of the distribution and consumption – with related
matters of control and exploitation, of course – that needs to
be foregrounded, proposes Thacker. Thus population genome
databases, human genome databases and others must be “read” in
conjunction with political, social and even legislative issues
like healthcare and medicine and diagnostics. Warning against a
genetic determinism, Thacker proposes that we look carefully at
the economic imperatives that drive biotech, especially as they
inform and “pre-dispose” certain kinds of assumptions about
enzymes and genes.
Using
as a case study the Human Genome Project and its offshoots,
Thacker analyses the “recoding” of biotech. “Population” and
political economy come together in projects that seek to “map”
people. Population, once the primary concern of the state, is
now the purview of biotech companies. The body gets commodified,
numbered and “rendered” (I use the term in all its semantic
possibilities) into databanks for appropriation. It infringes –
as all new technological developments in medical biology have –
the privacy of the individual even as the data about the
individual is shifted into a space where it may be accessed.
Thus, informatics is a medium for transforming bodies into
usable data – which is surely a political matter rather than a
purely technological one. Fears of genetic racism, Thacker
points out, are not unfounded here. In the age of “recombinant
capital” (Thacker’s play on recombinant RNA and capitalism),
biology “is how production occurs, and it is what is produced”.3
That is, body parts which produce the technology may itself be
produced (or more accurately, re-produced) elsewhere once the
genetic “kit” of a person is made available in data banks.
Extending this fear to what he terms “bioinfowar”, Thacker
suggests that new threats to biological security (through fears
of germ warfare) mean that biology is the weapon as well as the
target. Gene warfare simply takes biological war into another
dimension. Increasingly, the body politic is defined by its
“vulnerable biologies”.4
Thacker proposes three theses: that war is biology and biology
is war; national security is expressed as the implosion of
emerging bioterrorism; and the integration of biotech and
informatics in security concerns results in a discourse of
“biological security”.
Turning his attention to “decoding” or consumption, Thacker
focuses on tissue engineering. The driving motif behind the
science, Thacker demonstrates, is that of the regenerative body.
On the one hand biotech universalizes the species and the body,
and on the other, immune systems define the “foreign body” in
unambiguous ways. Tissue engineering demonstrates the
“simultaneous individualizing and universalizing of the
biomedical subject”.5
The body in tissue engineering is located at the interface of
medical healing and biotech redesign: it seeks to create a more
“natural” body that harnesses the body’s own resources through
the application of technology. Increasingly, Thacker argues,
regenerative medicine seeks to isolate the body from the
environment – through its research on renewable organs.
It hopes to turn the biological body’s processes to different
ends from mortality and decay (what Thacker, in a parody of
Philip K. Dick’s novel terms, “we can grow it for you
wholesale”). Eventually it seeks a biology that surpasses its
limits through the use and aid of technology. Thacker concludes
his study with a short tour of “bioart” where many of the
concepts and developments in biotech are used for sculpture,
social awareness and other public cultural realms. The work of
the Critical Art Ensemble, especially its “contestational
biology” (a mix of art, activism, science that seeks to
demystify science, and see how it can be used for political
ends), comes in for special attention.
Thacker’s is an ambitious project, and extends his concerns from
his earlier Biomedia6
the intersection of political economy, technology and rhetoric
that increasingly marks contemporary bio-rhetoric, whether about
terrorism or the battle against mortality, in The
Global Genome makes it a useful, politically-edged
account of the new engineering. Thacker’s retrieval of a variety
of philosophies – from Aristotle to Virilio – also indicates a
need to develop a whole philosophy of the new biology. Older
paradigms do not always help understand the radical shifts in
the notions of bodies or populations, and there is an urgent
need to rethink them. Thacker’s work may well initiate (along
with those of Evelyn Fox Keller, Cathy Waldby and others) this
rethinking.
Endnotes
1
Jean Baudrillard. The Vital Illusion. New York:
Columbia University Press, 2000:15-16.
2
Eugene Thacker. The Global Genome: Biotechnology,
Politics, and Culture. Cambridge, Massachusetts: MIT
Press, 2005:7.
4
Ibid.:229. This is new. Nations have always
measured the “health” of their society in terms of the
vulnerability of the body politic to contagion,
infection and decay. Guarding the body politic’s
orifices and the purging of threatening elements has
always produced the rhetoric of biological
deterioration. An excellent study of early modern
England’s obsession with such a bio-rhetoric is Jonathan
Gil Harris’ Sick Economies: Drama, Mercantilism, and
Disease in Shakespeare’s England (Philadelphia:
University of Pennsylvania Press, 2004), and his earlier
Foreign Bodies and the Body Politic: Discourses of
Social Pathology in Early Modern England (Cambridge
University Press, 1998). Other cultural studies of
contagion also point to such “rhetorics” of invasion
(see Alison Bashford and Claire Hooker (Editors),
Contagion: Historical and Cultural Studies,
London and New York: Routledge, 2001.
5
Eugene Thacker. The Global Genome: Biotechnology,
Politics, and Culture. Cambridge, Massachusetts: MIT
Press, 2005:265.
6
Eugene Thacker. Biomedia. Minneapolis: University
of Minnesota Press, 2004.